Abstract des Autors

The rise of modern sport in the mid-nineteenth century coincided with the emergence of photography as a new image-making medium. Thus, both practices developed in parallel. Notably, many early photographers turned to sport as a subject for their work, despite the early technological limitations of the medium. Histories of photography have, however, tended to overlook this. Similarly, sport historians have tended to regard these early photographs simply as illustrative material rather than important innovations in the formation of new visual conventions for the representation of sport. This paper seeks to redress this by exploring, in close detail, examples of sports photography produced in the mid- to late-nineteenth century. More importantly, it examines the visual vocabularies deployed by these early photographers within the context of contemporary art practices, demonstrating how artistry and artifice were deployed in the production of some of the earliest, and finest, examples of sports photography ever produced.