The accountability of performance in media sports – slow-motion replay, the “phantom punch,” and the mediated body
Gespeichert in:
Deutscher übersetzter Titel: | Die Verantwortung der Leitungsfähigkeit in Mediensportarten - Zeitlupen, der "phantom punch" und der vermittelte Körper |
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Autor: | Stauff, Markus |
Erschienen in: | Body politics |
Veröffentlicht: | 2 (2014), 3, S. 101-123, Lit. |
Format: | Literatur (SPOLIT) |
Publikationstyp: | Zeitschriftenartikel |
Medienart: | Elektronische Ressource (online) Gedruckte Ressource |
Sprache: | Englisch |
ISSN: | 2196-4793 |
Schlagworte: | |
Online Zugang: | |
Erfassungsnummer: | PU201509007016 |
Quelle: | BISp |
TY - JOUR AU - Stauff, Markus A2 - Stauff, Markus DB - BISp DP - BISp KW - Analyse KW - Kulturwissenschaft KW - Körper KW - Körperausdruck KW - Körperbewusstsein KW - Körperbild KW - Körperkultur KW - Medien KW - Medienforschung KW - Mediensport KW - Philosophie KW - Selbstbewusstsein KW - Sportwissenschaft KW - Untersuchung, vergleichende LA - eng TI - The accountability of performance in media sports – slow-motion replay, the “phantom punch,” and the mediated body TT - Die Verantwortung der Leitungsfähigkeit in Mediensportarten - Zeitlupen, der "phantom punch" und der vermittelte Körper PY - 2014 N2 - Research to date has primarily investigated the formation and the ideo-logical construction of the body in sport. In contrast, the pivotal question here is how media technologies address the body in modern sports in order to make performance comparable and verifiable, i.e. accountable. In the first part, a historical review shows how since the 19th century modern competitive sport have increasingly incorporated new technologies in order to make different aspects of athletic performance accessible. In this process, the body is fragmented and abstracted (as in statistics), yet it is also comple-mented by nonphysical aspects of performance (tactics, mental states, etc.). The second part analyses this assemblage of different forms of knowledge in relation to slow-motion replays. Both the technical development of slow-motion as well as its first spectacular application (as on Mohammed Ali’s “phantom punch”) demonstrate how, in the endeav-our of making sports more transparent via media technology, the body becomes only one of many elements at play. Verf.-Referat L2 - http://bodypolitics.de/de/wp-content/uploads/2015/07/Heft_3_06_Stauff_Performance_In_Media_Sports_End.pdf L2 - http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:gbv:547-201500215 SP - S. 101-123 SN - 2196-4793 JO - Body politics IS - 3 VL - 2 M3 - Elektronische Ressource (online) M3 - Gedruckte Ressource ID - PU201509007016 ER -