The aesthetics of sport and the arts : competing and complementary

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Bibliographische Detailangaben
Deutscher übersetzter Titel:Die Ästhetik des Sports und der Kunst : konkurrierend und komplementär
Autor:Mumford, Stephen
Erschienen in:Sport in society
Veröffentlicht:22 (2019), 5 (Interrelationships between Sport and the Arts Community), S. 723-733, Lit.
Format: Literatur (SPOLIT)
Publikationstyp: Zeitschriftenartikel
Medienart: Elektronische Ressource (online) Gedruckte Ressource
Sprache:Englisch
ISSN:1743-0437, 1743-0445, 1461-0981
DOI:10.1080/17430437.2018.1430478
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Erfassungsnummer:PU201905003613
Quelle:BISp

Abstract des Autors

Sport has a distinctive aesthetic that derives from its ontological basis in competition, indeterminism and emergence. The aim in sport is to compete, rather than the production of aesthetic value. An effective way to secure the latter, however, is pursuit of the former: competition in sport is at least part of the explanation of its aesthetics. The dramatic spectacle of sport, on the other hand, can also be explained by the metaphysical indeterminism that it must assume. If sporting outcomes were either deterministic or entirely indeterministic, sport would have no interest for us. Instead, outcomes are produced by actions that dispose towards certain outcomes without necessitating them. Finally, emergence is productive of aesthetic values especially in team sports, where the whole can be substantially more than (or less than) the abilities of the individual players. These three features, taken together, account for the special nature of the sporting aesthetic.